Artwork > Marathon Man

Returning Too Hard, Training Too Soon
linocut installation
48" x 36"
2017
The Fitness Is There
etching, aquatint, watercolor
7.25" x 11" (plate size), 11" x 15" (paper size)
2017
Sessions and Structure, Assess the Effects #4
pencil, screenprint, acrylic on paper
22" x 30"
2017
Sessions and Structure, Assess the Effects #3
pencil, screenprint, acrylic on paper
30" x 22"
2017
Sessions and Structure, Assess the Effects #2
pencil, screenprint, acrylic on paper
30" x 22"
2017
Sessions and Structure, Assess the Effects #1
pencil, screenprint, acrylic on paper
22" x 30"
2017
Ascended Onto the Sandy Narrow
etching, aquatint, watercolor
10" x 8" (plate size), 14" x 11" (paper size)
2017
Pace Hard
relief (resingrave) engraving
12" x 15"
2017
Easy Along
wood engraving
8" x 6" (block size), 10" x 8" (paper size)
2016
The Training Load
reduction linocut
10.5" x 7.5"
2016
Time To Crack On
mezzotint, etching, watercolor
8.75" x 11.75" (plate size), 11" x 15" (paper size)
2015
Uneven Underfoot
mezzotint, etching
17.75" x 21.75" (image size), 22" x 30" (paper size)
2015
Lessons of the Greats Will Make Me Great (Maybe)
woodcut (installation view)
6' x 6'
2015
Lessons of the Greats Will Make Me Great (Maybe)
woodcut (installation detail)
6' x 6'
2015
3952
mezzotint, etching, chine colle
9" x 6" (plate size), 13" x 10" (paper size)
2015

My recent body of work, tentatively titled “Marathon Man”, is a project consisting of modestly scaled intaglio prints (mezzotints and etchings), as well as relief prints created for installations that are adhered directly onto the wall of British marathon/long distance runner Ben Moreau. Different visual strategies are utilized for these pieces as I am exploring representation through collage to exploit different facets of human locomotion and the physical conditioning required in marathon running. The work created will examine the hard work, discipline, and labor associated with long distance running mirrored by the discipline, and technical knowledge and skill associated with mezzotints and large-scale installation based printmaking. Parallels exist between the solitude of distance running and a singular individual studio practice. Both practices require focus and dedication allowing for moments of personal reflection and can function as an exploration into the human condition. Pattern and repetition are explored as visual metaphors recalling the physical act of running: step-by-step, mile after mile. The work will be a fun play on identity, as we are both “linked” by the same name, and the construction and conception of self.